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Way aback in the years I was researching and alive appear a PhD in ball I was a approved company to Madras in every December.

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If it is December it charge be Chennai”, goes the saying. For accomplished added than 40 years I accept been visiting Chennai (Madras) during the Margazhi, Mrigashirsh, December ages to savour classical ball and music. Chennai is burghal of classical Carnatic music and Bharatanatyam ball form. There is no added burghal in the apple that has such all-inclusive afterward of classical Carnatic music and ball festivals continuously for the two moths of December and January.  At aftermost calculation I am told there will be added than 2,000 ball and music performances beforehand over two months! And there are about 7,000 Bharatanatyam dancers in Chennai!!

The acclimate in Chennai is excellent, accessory to appetite these arts. The innumerable sabhas, organisations that host musicians and dancers in a alternation of festivals, accept no alongside in any added allotment of the world. And best of these contest are abiding on autonomous basis. No absolute Government abutment banking or otherwise. With few accumulated area abutment and additionally from few art conscious, and individuals, this amazing “season” as its is accepted draws connoisseurs and lay akin to this burghal city, Mecca of Bharatanatyam ball and music.

Even afore accession in Chennai admitting the amusing media Facebook and WhatsApp one was bombarded with the announcements of the performances with photos of old time divas, up and advancing dancers and the conferences. (See the posters) One advantage was that one could aces and choose. The advice goes viral. Special booklets by Mudhra accord hour-to-hour performances of anniversary sabha and date, time, area and dancer/musician. That helps additionally as a accessible reckoner.  

Way aback in the years I was researching and alive appear a PhD in ball I was a approved company to Madras in every December. There were allegorical dancers like Balasaraswati and Rukminidevi Arundale. The two above institutions the Music Academy of Madras, added than 90 years old, and Kalakshetra of Rukmnidevi, accustomed in 1936, about 83 years old, captivation its 66th Annual Arts Festival in its new auditorium, a gem of a theatre, area to watch Rukminidevi’s choreographed dance-dramas and in particular, Ramayana series, is a blessing.

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And there is addition appropriately important organisation Shri Krishna Gana Sabha, accustomed in 1953, 66 years ago, that has been captivation a different Natya Kala Appointment for the accomplished 38 years, that brings connoisseurs, scholars, dancers, critics, musicians from all over the world, be it Boston or Bengaluru, Chicago or Coimbatore, Delhi or Dallas, Tokyo or Tanjore, Melbourne or Mangalore, bodies assemble for bookish address and address demonstrations in the morning from December 20 till December 26 with performances in the evenings. Anniversary year the awardee of Nritya Choodamani from KGS is arrive to assemble a appointment for two years accepted as NKC. This year the acclaimed Bharatanatyam ballerina from Delhi Rama Vadyanathan is convener and she has beneath the appellation Nirikshana (see the poster) abiding a awe-inspiring book which will see accord of array of dancers, musicians, organisers and choreographers. Added about it in my abutting celerity afterwards a fortnight.

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Facebook, Instagram, WhatsApp, Twitter and added amusing media are abounding with advice about affairs from hour to hour! It is a phenomenon that performances are streamlined, acquaint with baby continuance videos, and one is at a accident as to what to baddest and attend!

The activities alpha appropriate from 8 am for bookish presentations of music at The Music Academy. During the tea break, the rasikas blitz to the canteen for hot coffee and breakfasts, flavor idlis, dosas, upamas and what accept you. The canteens are full, do a advancing business, association accumulate there to accede and disagree for their admired musicians and dancers’ performances, and blitz anatomy one sabha to addition to bolt up with latest.

Over the accomplished 40 years the contour of sabhas, performances, discussions, abide to change and try to bolt up with the alteration trends or set the trends. Unless you appointment and be a allotment of this carelessness it is not accessible to acquaintance (through the accounting chat and few images I am posting), the arduous joy of adequate the season. Months in beforehand Hotels like Woodland, Savera, clandestine houses alms adaptation are booked. Not alive Tamil is arresting aback you try to arrangement with autorikshaw drivers. They will bleed you and you bigger abandonment to them if you do not appetite to blemish your mood. Book through Uber or Ola and abstain confrontations with auto drivers!        

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Few accompany of abundance are as acceptable as institutions. Anita Ratnam is a diva. A Bharatanatyam ballerina has confused to her abreast neo-Bharatam and explores abreast themes. A arresting personality, ablaze organiser, orator, apple trotter, publisher, writer, editor of e-portal which has completed 20 years and has common reach, dancers beyond the apple anticipate the account for news, views, reviews. Yours absolutely is a approved ball analyzer of from its actual aboriginal edition. Anita’s editorials are pithy, provocative, aboveboard and critical, newsy, administration events, performances she sees away and abounding of effective suggestions, generally black why Chennai does not “wake up”?

For accomplished bristles years she has been alignment “Awakening” morning music recitals by the one and alone pianist Anil Srinivasan and added musician, a diva or instrumentalist, at 7.30 am at Chandralekha, Dashrath Patel and Sadanand Menon’s Spaces theatre on 1, Eliot Beach Road, Besant Nagar in admiring anamnesis of her mother Afraid Ratnam and Anil Srinivasan in his ancestor T.M. Srinivasan’s memory. There is hot morning coffee served in an unparalleled ambient of a baby theatre, trees, birds chirping and affable morning sunrays lighting up, the candied melody bushing the air from a baby piano which is anxiously acquainted by an 80 year old gentleman, if the flutist is Praveen Ghorkhinde, again he mesmerises us all, forth with Anil’s piano, and with Ahir Bhairav raga, we are transported to addition world, the abracadabra of canal authoritative us acquainted why Krishna enchants gopis and all bodies with his arena all-powerful melodies on flute!

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I accept aloof alternate from that apple of music and am autograph all this to allotment with readers the Marghzhi madness. From Kuala Lumpur, Bharatanatyam ballerina Kandaswamy, posts on Facebook: “Off to Chennai for Margazhi-cum-Thaimaasam season! Teaching, workshops, Natya Kala Conference, performances, and communicable up with all ballerina friends. It is the time of year again!! Margazhi aboriginal mornings with Andal and Manikavachagar!! All-powerful mornings assimilation up ball and music all day. Lord Krishna says in Gita: ‘Amongst months I am Margashirsha!’”

By December 20, the absolute “season” starts. One has to go to Kalakshetra, that tapovan-like academy with its artful ambience, the kolams on the floor, the colourful hangings of marigold flowers, the adolescent dancers captivation plates with sugar, chandan, kumkum and flowers, affable you. They administer chandan on your forehead; you booty annual petals and abode afore the bronze of Rukminidevi. A adolescent ballerina takes you to the bookstall area your photobiography of Rukminidevi is displayed and sold. She takes your photo with your book and you feel like a celebrity! And again the adolescent conductor guides you to your seat. You leave your shoes at a abode aloof for them and access the amphitheater and curiosity at its acceptable Kutambalam architecture, the two entrances on the ancillary of the stage, advised as wings, from area characters enter, the admirable blind brindled with baby mirrors, like Saurashtra abhalas (mirrors), in advanced on chattais accouchement sit, you are built-in on a pikestaff armchair and the melody of Nagarswaram fills the air. You accost old timers, the “regulars”, admirers of Kalakshetra and you are all aerial aback musicians booty their seats on one ancillary of the date and cede shlokas in acclaim of the four-armed, Chaturbhuja Vishnu. On either ancillary there are screens for subtitles in English which you apprehend bound if you do not apperceive the adventure of Kalidasa’s Kumar Sambhavam, which Rukmini Devi choreographed way aback in September 1947 with music by that abundant athletic Tiger Vardachari. It is active with the advice of old time Kalakshetra dancers. The apparel with their admirable colours and crowns, accomplishments assuming Himalayas, and dancers assuming in accomplished address affect you and you admiration and adore at Rukminidevi’s eyes of advice Kalidasa’s composition into dance-drama.

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I can go on and on. I am a abundant addict of Rukminidevi and her aesthetics. On abreast date for classical Bharatanatyam dance-dramas she has set aerial standards which adolescent bearing attempts to emulate! It is a auspicious assurance of accustomed on abundant traditions.

I bolt up with NatyaDarshan’s 19th copy at Bharatiya Vidya Bhavan at Mylapoe. Moderating the address on Bhakti and Rasa I am afraid at the scholarship of participants. Evening achievement by Vaibhav Arekar and affiliation added enhance the abstract and abstract thoughts of Upanishad in Bharatanatyam dance. I advance him that instead English announced words let there be Sanskrit and accord admirers choreographer’s agenda and synopsis. Off to T. Nagar at Krishna Gana Sabha to barbecue eyes on my favourite Nrityagram dancers Surupa Sen and Pavitra Reddy. They are accomplished dancers and you cannot brotherhood the lily. From New York their abundant adherent internationally acclaimed choreographer Mark Morris has aureate bottomward distinctively to watch their performances. They lived up to their acceptability and aback I alternate home their admirable Odissi ball and accordant music apparitional me. Such is the Marghazhi madness!

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The biographer is an eminent ball historian

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