From “Renovate the old as new” to “make the new as old”In today’s burghal renewal, we are confronted with more and added non-new projects. We begin that a lot of advance projects in the city are not barrio of actual amount actuality apparent in the media, but added generally are abandoned buildings actuality congenital during new China decades accumulation burghal burghal construction. The barrio are alone not because they are old, but they are too new. That is to say, they are in abridgement of application about the history of the armpit in design, but absolutely went to the imaginary novel. Therefore, they could not acclimate to the bounded development and amplitude artful requirements and eventually became abandoned. To accost with these accustomed and contempo advance projects, the acceptable “renovate the old as new” design adjustment no best work.
Throughout history, we absolutely accept a lot of affirmation for such affectionate of projects, especially in the long process of architectural advance in European countries. There were the archetypal advance cases in the duke of Carlo Scarpa, as well as the new assignment of cutting-edge firms like TEd ‘A in Spain. Their afflatus is that, no amount the activity is to be adapted into new or old, the assumption is to accommodated today’s anatomic requirements. It agency that we should booty the action to implant the old part back acclamation the affectionate of projects with asperous constructions. Through this alternation amid the old and the new, the adapted architectonics is abundant beneath obtrusive, allowing it to blend in with its ambience as if it were already here, alone to be reactivated. To sum up, it’s to “make the new as old”. And our Wu Yueshi art architectonics is an attempt to try this concept.
The “origin” of the Intimate GardenIn 2016, we reconstructed a metal bulb into a flat and gallery– Anteroom aural Cloud for artisan Xu Hongquan. As the branch was the aboriginal artisan flat reconstructed from the plant, it seems to have a amazing aftereffect that helped answer the clip of advance through the entire factory park, which gradually became the Jiao Village Art District. We’ve revisited it this year; in the meantime, rose to accommodated our new claiming –Wu Yueshi Art Gallery.Wu Yueshi, a arch amount in the Chinese painting area, a acclaimed artisan of Chinese painting, has been advised Chinese acceptable painting back his childhood. He has been accomplished in being by several great Masters in Chinese painting such as Wang Zhujiu, Dong Shouping. We apprehend the gallery for him to be an artwork and an art abject of Chinese painting. However, in what way can we implant an art arcade into the bulb admixture abounding with absolute rural branch looks vapid and annealed became the arch affair we’ve confronted. In the consequence, based on the apriorism of application existed anatomy of the bulb to the greatest extent, we strive to actualize a amplitude of balladry bout the amplitude of Chinese painting by the affair of our abstraction “make the new as old”.
Multiple screens to amateur garden–a amplitude ancestor of Abreast artistsA mentalretrospect of “multiple screens” conceptIn the architectonics of Anteroom aural Cloud, we’ve advised to carbon “multiple screens” in Chinese acceptable painting through allegory artists’ mental structure, through creating a amplitude anatomy of avant-garde art based on Chinese painting’s abstraction “paint in paint”; meanwhile, implanting a visually anatomic arrangement to administer to artist’s circadian life. In this design, we’ve explored to form a allowance array by digging into a layer of space and abandoning the corridor. Through layers of frames, we express the amplitude abstraction “depth” and achieve uninterruptedly abutting band of sight. Still, the design remains unsatisfactory, back we alone discussed nesting the space on a two-dimensional plan afterwards because three-dimensional amplitude which extends from autogenous to exterior. It is hoped that in the architectonics of Wu Yueshi Art Gallery,the abstraction of “multiple screens” could go further.
From the brainy brainstorm “multiple screens” to added ideal archetypal “triple garden”Wu Yueshi Art Arcade was amid at the rear ancillary of Anteroom aural Cloud and was abutting to the accomplished branch compound’s axial yard. There is a spacious rectangular courtyard northwards. Originally it was a accurate architectonics arid consists of a basement and two above-ground levels.Wu wishes that the basement to be the gallery. Ground attic to be the claimed flat and the additional attic to be the allowance affect to them for read,rest and accommodation. Although such division is congenital on simple function,it corresponds to a diagram in the akin of mentality. Three levels of amplitude alone represent three phases arise during the action of creation: think,express and exhibit. Therefor we’ve called the basement ‘sinking garden’ implying for quiet exhibition biconcave into the ground. The arena floor, ‘wandering garden’,is the amplitude for creation,visit and advice amid host and guests. The second floor implies for a agreeable abode amphibian aloft our bitter life,named “floating garden”. In the consequence,a vertical amplitude of amateur garden initially been constructed.
It’s still bare so far apparently. For art isn’t a simple system disconnected into levels. The three phases are declared to be account and result of each added and meanwhile accompanying happen. Just as the painting of Mr. Wu. It can aback arise or be bedeviled by accident afterwards lots of precipitation. As an ideal space prototype,it is declared to breach the assay amid vertical or accumbent layers. We create a double-height amplitude of one assemblage affiliated the basement and the arena attic to be a address hall. Then create a double-height amplitude advance the aboriginal and the additional attic to be a courtyard which is bisected alfresco and bisected inside,named ‘wind yard’.
In agreement of accumbent and vertical aspects,the address allowance and the wind yard penetrate and connect with anniversary added again formed a architectonics of three layers of beheld and amplitude that cut through additionally overlap anniversary other. Triple garden developed into amateur courtyard. It complete a circuitous but bright accord of amplitude and advice as an ideal amplitude prototype. The accord connects artisan Wu,his accompany and students,furthermore visitors attracted to the gallery. During the advance entering the gallery,Therelationship and role of three were adapted always appropriately formed altered kinds of amplitude experience. As visitors airing bottomward to the exhibition again becomes the invested guest,then they gradually become the friends of the owner. Triple garden as a amplitude arrangement could comedy the role of arch the accessible stories. Hence,an ideal anatomy of art amplitude begins to assignment effectively.
The “triple courtyard” arch to the “deepness”At the actual alpha of the activity we were allurement ourselves: What is an ideal art amplitude ancestor of the abreast arcane men? In the hindsight of history of architecture,Geoffrey Bawa’s clandestine citizen seems rather accustomed from outside,however,inside hidden is absolutely different. When we come up with another citizen of Luis Barragan,during the alteration and changes of it over and over,it became abate and assuredly acicular to the sky. Through those two architects’ residents,we can see how to build an interlocutory accord amid their entering apple and the accomplished acculturation through the architectonics of a baby world. Therefore,by Wu Art Gallery,we are accepted to explore an announcement of our aboriginal architects’ brainy image.
Thus,outside of the capital allotment of ‘triple garden’,we additionally actualize a ‘triple courtyard’. Through ‘floating bridge’ and ’connecting bridge’ as dramatic devices in the advanced yard, we try to advance bodies from the aboideau into the central of the building,and the beck of bodies continues to be continued and folded. In a series of alteration spatial experience, our acquaintance of the alien apple begins to achromatize and we are guided by our anatomy into a alcazar of art.
Initial yardis the alpha of the amateur courtyard. Baptize Platform and brick yard could administer to the action of alfresco exhibition and gathering. Through the advice of baptize platform,between brick yard and building,there is a biconcave abysm breadth visitors can airing bottomward to the exhibition allowance underground appropriate through it,therefor abate the interferenceofstudio on the aboriginal floor. Another path is led by the amphibian bridge. The aisle beyond the abysm and gate,entering into the ‘wind yard’ in the arena floor. wind yard is at the affection amplitude of the gallery. As a accessory action as alteration people’s role and arch them, it’s a semi-outdoor amplitude which makes a close affiliation of the entering arch and every floor. Looking alfresco through abstracted windows there are different scenes:towards a staircase,a able-bodied and a courtyard. A arresting experienceof naturalthat amplitude biting band aloft band appropriately the traditional garden was translated by a avant-garde style.
The arena attic ‘wandering garden’ consists of a tea room,a flat and a dinning room. As the amount breadth for artistic assignment and accession of Wu, wandering garden owns a ample breadth of bottle window southwards therefor has able sunlight. Except from the bankrupt studio,the tea allowance is attainable for exhibition room underground forming a abounding breadth connects with added space. Along a abnormality arch anatomy by animate frame, we can access the flat from the tea room,or apprehend the address on it,or access the exhibition through the staircase. wandering garden became an absolute allowance for Wu to create and aberrate freely.
Environment – accurate cerebration of light, abstracts and constructionThe foundation of the accomplished actual atmosphere of the abode is absolutely the moment back you aboriginal see the balmy ablaze and adumbration of the raw fair-faced accurate in the basement. In a asperous amateurish state, the accurate and perceptual airiness of apparent accurate has completed the architectonics of the “sinking” atmosphere. This aggressive us that, with the four division daylight, the ambiance congenital by the ablaze and abstracts is consistently changing. It makes the “light” and the anatomy the advocate from the old material. To reflect the “old”, we chose, concrete, atramentous brick, diatom mud bogus hair, steel, anticorrosive wood.
We kept these aboriginal architectonics walls complete in the underground “sinking garden” afterwards any accidental treatment. Alone in the appropriate allotment of the all-important channel, so that the aboriginal bend of the accurate bank was burst out of a gap of altered forces, this gap was additionally preserved by us, become a decoration, not advisedly retained but additionally a best of architectural imprint.
In the “wandering garden” we knocked bottomward best of the solid walls and replaced best of the removed walls with bottle blind wall. The aboriginal attic is angry into a spatial layer that maximizes the aggression of the surrounding space, which is carefully affiliated to the accustomed amplitude of the advanced backyard and backyard. The ablaze of the four seasons is captured and tracked by the boxes of the space, and again developed, flowing amid the bottle boxes, showing multiple changes at every moment. In the the new wall, we assuredly chose atramentous artery as the capital actual and adopted altered masonry methods. On the one hand, the “newly added” wall element is recorded in this way. On the added hand, variable style of the atramentous brick “plum blossom” masonry adjustment can additionally appearance the “wandering garden” airy akin of adaptability – and the anatomy of the band of the bank of non-bearing and freedom. The “hard connection” between the atramentous brick bank and the underground accurate bank additionally reflects our ethics appear history and today. Black brick is added acclimated as a affectionate of adjustable avant-garde assemblage material. The “cultural symbol” on the atramentous brick is not overemphasized, but added anxious with the anatomy activity brought by the actual itself. In the “wind court”, the atramentous artery advance from the bank to the ground, and again to the semi-outdoor belvedere on the additional floor, conducting a series of “triple garden” the allegorical role of this amplitude device.
On the alfresco of the “triple garden”, in acknowledgment to the anew built-in layers of materials, we chose an about aboriginal hand-drawn brushed alien wall. The arrangement anxiously annal the movement clue of the workers’ easily and fingers, so that the anamnesis of the body’s assignment can be preserved. At the aforementioned time, in adjustment to advance the architectonics of the brushed wall, we added bisect the alien wall, which added highlights the bore of the accomplished architectonics in the outside, so that bodies can continuously acquaintance the “make the new as old” on the way of walking abutting to the wall.
Architecture and “old friends”What affectionate of affect should be angry in an ideal space? Throughout the architectonics process, this catechism has been on our minds. In Ms. Wu’s house, we acquainted that conceivably the ideal space should accept a array of emotions. Sometimes it may be in a deep whisper, and sometimes it may be agitative and bursting. The ideal may not be pure, but added ordinary. Perhaps this is the real art, with the aurora abounding with expectation, hope, stand-by, anger, joy, and peace. It is both the archetypal of the ideal and accustomed man. The “old” is not aloof an “old”, but a activity of “old friends” . For Mr. Wu, the art architectonics is a abode to accommodated new and old friends. New accompany would become old eventually, and the new amplitude abode would additionally become old. The accomplished action is like activity from ” old garden” to “old friend”, which is ” Garden as before”.
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