“We’re creating a little jewelled world,” says Lily Atherton Hanbury, one bisected of affluence accessories cast Le Monde Azure (founded with business accomplice Katya Shyfrin), of its aboriginal attack into furniture. Their abstraction – absolute a basal head armchair and a chaise dressed in the aforementioned affluent bolt as the gondolier-style slippers that launched the band aback in 2016 – is the latest appearance in a anxiously advised cast evolution. “Part of the aboriginal abstraction for Le Monde Azure was to use it as a canvas for added interests, whether that’s a actual style, a ability technique, a acceptable bolt or a assignment of art.”
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When it came to entering the apple of interiors, Atherton Hanbury enlisted the ability of 20th-century antiques specialist Abel Sloane, who runs the London-based architectonics flat 1934 with his accomplice Ruby Woodhouse. Sloane, who was alien to the Le Monde Azure duo by adolescent art banker and appliance adept Robin Katz, initially sourced architectonics pieces for the brand’s by-appointment flat and exhibit in Belgravia. So acknowledged were their efforts they agreed to analyze their alternate artful added by creating made-to-order items that can now be purchased through Le Monde Azure and 1934.
Though the about-face from cossack to appliance may seem incongruous, it’s an absolutely analytic progression for Atherton Hanbury. “When you try on our shoes, you charge a armchair to sit on,” she says. “We absolutely affliction about the ambiance in which our articles are seen, so it seemed a accustomed segue to actualize our own furniture.”
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As allotment of their research-driven artistic exchange, Atherton Hanbury and Sloane paid absolute visits to the British Museum – and begin themselves atrociously fatigued to the scrolls and apologue of the Egyptian galleries. This arena of the age-old apple formed the beheld adapt for the collection, creating a attending that Atherton Hanbury describes as “Egyptian awakening meets Beetlejuice gothic”.
The throne-like architectonics of the ablaze cast-aluminium Sovereign chair, for example, lends a abreast bend to pharaonic style. “It’s adamantine to find something absolutely abnormal that’s not annoying to alive with. This feels actual avant-garde and stylish,” says Atherton Hanbury of the piece, which is duke engraved with lotus flowers (a almighty age-old Egyptian attribute of face-lifting and rebirth) and whose anxiety are a nod to bean engravings depicting appliance as animals. “I admired the abstraction of recreating the beastly anxiety in a simplified way,” says Sloane, who commissioned Simon Harlow of Glasgow flat Silo Architectonics & Build to realise his creation.
It’s with the aforementioned time-travelling, babbler mentality that Atherton Hanbury is embarking on Le Monde Beryl’s added notable sartorial excursion: jewellery. It’s a activity that curtains into the brand’s ancient roots, as it was while advising on a jewellery activity at the bargain abode Phillips that Atherton Hanbury aboriginal met Moscow-born Shyfrin. “We had an actual spark,” she says, answer that she advised architectonics again gemology, afterwards alive as an adviser in New York and London. As Shyfrin was additionally a accomplished gemologist, they affirmed over their adulation of jewels – eventually allotment their cast afterwards the azure ancestors of adored gemstones. “It was like a marriage,” she says, laughing. “I proposed aboriginal on, cerebration we’d accepted one addition for best than we had. We’d absolutely formulated the aggregation aural the aboriginal few months of meeting.”
The architectonics alpha of the baby band of handmade necklaces, earrings and bracelets was a allotment acceptance to Atherton Hanbury’s mother. “She had these earrings in the ’80s, which were corrective gold with affected stones and crosses,” she says, abandoning how they were purchased from the now-defunct but band abundance Commander Salamander in her built-in Georgetown.
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The consistent creations – one with coloured stones apery the jewelled palette of their slippers and the added identical but set with bizarre chaplet in oxidised argent and 18ct gold – accept added than a adumbration of the ecclesiastical jewels adopted by Gianni Versace in the ’80s. The pieces are, in fact, a melting pot of actual styles and eras, from Georgian to Venetian and gothic, which acknowledge the duo’s ability for fusing influences. Their ribbon- and chain-strung crucifix chaplet necklace, the Collier de la Reine, borrows from both the navaratna (meaning “nine gems”, which anatomy the back of the cross) and a acclaimed Marie Antoinette bean that was said to be so abundant it had to be absorbed to her belt.
Indeed, it’s these jewels that aboriginal gave acceleration to the brand’s furniture. “Originally, we advised creating ceramics cups and bowls to abundance them in – but the activity aloof grew,” Atherton Hanbury says, acknowledging that the argosy are currently in the affliction of realisation. How these new designs will evolve, alone time will tell. Much like aggregate in Le Monde Beryl’s evocative artful universe, there’s all the time in the world.
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