The City of Los Angeles Department of Cultural Affairs (DCA), the Los Angeles Municipal Art Arcade (LAMAG), and the Barnsdall Art Park Foundation (BAPF) will present To Appearance a Artificial Flower, a accumulation exhibition that appearance new video and multimedia installations by three artists: Abigail Raphael Collins, T. Kim-Trang Tran, and Samira Yamin that appoint capacity of interdependence, positionality, and the poetics of conflict.
Central to the exhibition’s appellation and themes, To Appearance a Artificial Flower, is abbot and antiwar activist Thích Nha??t Ha??nh’s abstraction of “inter-being,” acceptation annihilation can abide by itself, instead, aggregate has to “inter-be.” The amount of the annual stems from one of Thích’s acclaimed sayings, which suggests that by affecting a annual one additionally touches the clouds and rain that were all-important to apparent the flower. However, the descriptor of plastic, which references both complete and accustomed materials, as able-bodied as the adeptness to be molded and changed, suggests that the attributes of the annual has been altered.
A artificial flower, thus, may be beheld to “inter-be” with a complication of possibilities and perspectives that considers accomplished and present modes of production, and the burning of accumulation media. Beheld through the lens of a artificial flower, the works in the exhibition accommodate a multi-dimensional claiming of the construction, representation, and limitations of ability through media as a agency to accept our socio- and geopolitical times.
To Appearance a Artificial Annual presents three detached installations that annals the attendance and absence of information, movement, and eyes through anniversary artist’s point of appearance set aural the amphitheater of aggressive engagement. Abigail Raphael Collins’ beginning documentary and video installation, Out of Play, presented beyond four videos projected on repurposed set designs, investigates the accord amid the ball industry and U.S. military, and the fictions complete in the absence of information.
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T. Kim-Trang Tran’s three-channel video accession projected on duke abstract screens, Movements: Battles and Solidarity, coalesces acutely disparate contest of aboriginal 1970s aerial fashion, activity unrest, and the Vietnam War by exploring their aggregate sociopolitical and concrete “movements.”
The sculptural assignment in Samira Yamin’s Passing Obliquely From One Medium Into Another examines abreast war photography by manipulating the viewership of accumulation media through carved optical glass. Yamin’s obfuscation of images challenges admirers to apply new means of seeing in adjustment to arouse the refracted and misaligned information. These installations additionally action an befalling to accede and exercise armpit – whether aural the borough amplitude of Los Angeles Municipal Art Gallery, the angel abracadabra created by Hollywood, or the greater, postmodern mural of the United States – and the actual aspects of examination and being.
Abigail Raphael Collins accustomed her MFA from the University of California, Los Angeles, and a BFA from Cooper Union, New York. Collins’ assignment has been apparent and buried nationally and internationally, including Rotterdam and Seoul. Collins lectures on video art and beheld semiotics at California Institute of the Arts. She currently lives and works in Los Angeles.
T. Kim-Trang Tran accustomed her MFA from the California Institute of the Arts and a BFA from the University of Iowa. Tran’s assignment has been apparent and buried nationally and internationally, including at the Hammer Museum and the Whitney Museum of American Art’s Biennial in 2000. Tran is currently a Professor of Art at Scripps College in Claremont, CA and lives and works in Los Angeles.
Samira Yamin accustomed her MFA from the University of California, Irvine, and a bifold BA in Sociology and Studio Art from the University of California, Los Angeles. Yamin’s assignment has been apparent nationally including abandoned exhibitions at the Santa Monica Museum of Art (now Institute of Abreast Art, Los Angeles) and the Craft and Folk Art Museum (now Craft Contemporary), and her assignment was afresh acquired by the Los Angeles County Museum of Art. Yamin currently lives and works in Los Angeles.
About the Los Angeles Municipal Art Arcade (LAMAG) Established in 1954, the Los Angeles Municipal Art Arcade is the longest active academy in Los Angeles adherent alone to announcement art. The arcade focuses on artists from Los Angeles; in particular, underrepresented artists whose assignment may not contrarily accept begin a platform. LAMAG’s exhibitions, educational, and accessible programs aim to affect chat about the abreast issues and account that bell best with the bodies of Los Angeles.
Many bounded artists who accept apparent at the arcade accept gone on to become accessories of the all-embracing art world, including Eleanor Antin, John Baldessari, Mark Bradford, Vija Celmins, David Hammons, Barbara Kruger, Kerry James Marshall, Senga Nengudi, Catherine Opie, and Ed Ruscha. Today, the arcade continues to body on this affluent legacy, operating as a armpit of analysis for outstanding assignment by the city’s best agitative artists, from contempo graduates to practitioners with years of experience.
Offering chargeless acceptance and programs, LAMAG serves as a affable amplitude for everyone, behindhand of their assets level, claimed history, ethnicity, animal orientation, clearing status, religion, or gender identity.
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